Case Study: VFX Production on ‘The Instigators’ with Mosaic 360 Imaging
How the VFX team saved time and reduced costs by capturing 6 miles of high-quality data at driving speeds—with no road closures, no permits, and just one operator.
Large-scale environment capture
Indoors or outdoors
On foot or by vehicles
360° street view imagery →
3D models, textured meshes, and Gaussian Splats.
Indoors or outdoors
On foot or by vehicles
360° street view imagery →
3D models, textured meshes, and Gaussian Splats.
Enhance Your VFX Environment Creation
Next-level VFX capture of large scale environments with
unprecedented speed, detail, and accuracy.
Industry-leading methodology
10x more geometry, faster than laser scanning.
Single-operator configuration
Reduced crew, increased efficiency
Conquer challenging locations
Capture the inaccessible
Mosaic X Camera System
Capture at normal driving speeds.
Mosaic Xplor Camera System
Go anywhere you feet, bike, or scooter take you.
See where Mosaic camera systems are making a significant impact in the film industry.
Case Study: Reviving History with Mosaic’s Advanced Capture & Processing for VFX
Discover how Mosaic’s team of 2 and their advanced 360-degree camera and LiDAR technology transformed the production of “The Ice Cream Man,” enabling high-fidelity 3D imagery for VFX production.
Todd Sheridan Perry’s Tech Review of Mosaic Xplor: VFX Innovations
An Emmy-winning VFX supervisor reviews the Mosaic Xplor, highlighting its innovative design and impact on the VFX industry. This portable 360° scanning backpack, with high-resolution cameras and LiDAR, excels in capturing detailed imagery in challenging areas.
Creating digital twins for games and movies
A comprehensive solution for the VFX, movie and gaming industries reduces time and costs in the pre-production phase.
Scan large-scale objects to create panoramas and 3D models
Minimize additional costs and human resources while scanning large-scale infrastructure for detailed 3D reconstructions.
How VFX studio Scanline used Mosaic cameras for ‘The Gray Man’
How Mosaic helped one VFX studio and Netflix better prepare for a Hollywood hit with our 360º mobile mapping approach.
See the future of VFX environment creation.
Our advanced 360-degree mobile mapping camera revolutionizes VFX production, reducing capture time tenfold. Capture any environment and receive unmatched photorealistic results.
Mosaic VFX videos
Inside a Prague Basilica in 3D | Reality Capture with Mosaic Xplor Mapping Backpack | Gaussian Splat
4:01
VFX Environment/Virtual World - 3D Reconstruction & Model - Realistic Reference & Lookback Footage
1:30
![3D Model Built with High-Resolution 360 Data by Mosaic Xplor - Mobile Mapping Backpack [Prevu3D]](https://img.youtube.com/vi/UG-IT8lwxaI/maxresdefault.jpg)
![The highest possible resolution 3D model [100 % Photogrammetry] captured by Mosaic](https://img.youtube.com/vi/UZi2GeEGdvM/maxresdefault.jpg)
![[Unreal Engine 5] 3D Model Dataset collected by Mosaic X 360 camera](https://img.youtube.com/vi/ovoOqk7_3P4/maxresdefault.jpg)
VFX Visionaries Trust Mosaic
Discover why VFX supervisors and directors - known for movies such as Time Traveler’s Wife, Minority Report, The Gray Man, Pearl Harbor II, Black Panther, Avengers: Age of Ultron, Lord of the Rings, and more - are turning to Mosaic cameras for their VFX capture needs.
“The captures and time invested is light-years ahead of what we’ve done with Lidar. 6-7 sites plus the full 10-minute car chase route in 6 hours was a huge win.”
Mosaic cameras address the challenges faced in VFX – mainly the difficulties of capturing large environments and large data sets, easily, quickly and at a reduced cost.“
Using the Mosaic Xplor saved us so much time and so much money. Their camera technology is amazing, and I highly recommend it and think everyone's going to start handling their 3D assets this way.
“With the Mosaic Xplor, we scanned large spaces faster than traditional LiDAR or photogrammetry, even in high-traffic, hard-to-access areas. The resulting models were vital for visual effects design and final model work. Three thumbs up.”
